1. Carnota, Ramón. (Forthcoming) "On the Theory of Musical Scores and its Relation to Work Performance". Estetika: the European Journal of Aesthetics.

2. Puy, Nemesio G. C. (2025) "The artifactual duality of architecture and its ontological implications for legal protection". Synthese 206. https://doi.org/10.1007/s11229-025-05124-1

3. Puy, Nemesio G. C. (2025) "Triviality, inconsistency and solipsism: three problems in the metaontology of art and a Goodmanian solution". In M. Sambrotta (ed.), Metaphysics Today: in Conversation with Amie Thomasson. Synthese Library Book Series, Springer. https://doi.org/10.1007/978-3-031-98468-6_4

4. Dodd, Julian & Puy, Nemesio G. C. (2025) “Composers’ Mistakes and their Correction in Performance”. Australasian Journal of Philosophy. https://doi.org/10.1080/00048402.2025.2517260

5. Puy, Nemesio G. C. (2024) “A twist on the historically authentic musical performance”. Philosophical Studies, 181: 2661–2680.

https://doi.org/10.1007/s11098-024-02199-3