English resume



 

Slideshow: audiovisual perception
Alfonso Palazón

ABSTRACT:
Slideshow has always been a forgotten audiovisual method. However its expressive and creative possibilities has permitted, throughout its evolution, pure audiovisual experimentations. At the frontier between photography, cinematography and the incorporation of new elements such as light and theatre staging, etc… it happens to be a benchmark for new technologies and multimedia.

KEYWORDS:
Image and sound, slideshow, multivision, image and sound synchronization, audiovisual show.


From cinematography's illusion to cybernetic immersion.
A survey over kinetics in contemporary art.

Josu Rekalde

ABSTRACT:
An exhaustive view on electronic art's development and evolution. Social, ideological and cultural changes that art has experimented along the past XX century and its actual state. Cinema, video, sound, television, audiovisual and the latest tendencies on net art, digital image and virtual reality are analysed, relation with it's historical context

KEYWORDS:
Audiovisual, cinetism, multimedia, cinematography, video, electronic sound, virtual reality, net art, art.


From a photography's aesthetics towards an image aesthetics
Françoise Soulages

ABSTRACT:
The author makes a proposal towards the development of an image's aesthetics or a general aesthetics, which according to his criteria should be supported by particular aesthetics, such as photography. He expounds a method of how to give an aesthetic point of view to an art piece, which would be the combination of perceptible (existential relation with the object) and theoretical (conceptual thoughts) points of view. When he applies his ideas to photographic aesthetics, he realises that it should be based on technical theory and its practice. This brings him to the point of studying several relations: between the real and the non-photographic; the photo and the photographicness and finally, the relation between real/photo and the "at the same time". It is important to outstand that what distinguishes this aesthetic attitude is its inductive condition.

KEYWORDS:
Aesthetics, photography, sensitive focusing, theoretical focusing, aesthetical focusing, photographicness, unphotographiable.


Slide based audiovisuals: slideshow and multivision
Joaquín Perea

ABSTRACT:
The author arranges a study of slideshow and multivision, two audiovisual media based on photographic slides, considering the possible disappearance of traditional photographic materials and the present technological circumstances, which allow working with digital images and distributing through internet. A trail on the origin and evolution of these media takes him to state what he thinks will be the future of the slideshow and multivision as well as its appliances on educational and presentation areas.

KEYWORDS:
Slideshow, multivision, slide, dissolve unit, videowall, multimedia, presentation software, projector.

 





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