Bibliografía en español

Bibliografía en inglés sobre cine español

A B C D E F G H I J K L M N Ñ O P Q R S T U V W X Y Z

A
Ancet, Jacques. "Ana et la nuit obscure: Notes sur L'Esprit de la ruche de Victor Erice. "
Les Langues Neo-Latines 80: 3-4 (1986): 69-77.

Aranda, Francisco. Luis Buñuel: A Critical Biography. Trans. David Robinson.
New York: Dacapo, 1976.

Arata, Louis O. " 'I am Ana': The Play of the Imagination in The Spirit of the Beehive."
Quarterly Review of Film Studies 8:2 (1983): 26-33.

Arocena, Carmen. Víctor Erice. Madrid: Cátedra. 1996.

Ashworth, Peter P. "Silence and Self-Portraits: The Artist as Young Girl, Old Man and
Scapegoat in El espíritu de la colmena and El sueño de la razón." Estreno: Cuadernos del
Teatro Español Contemporáneo 12:2 (1986): 66-71.

B
Ballesteros, Isolina. "Mujer y nación en el cine de posguerra: Los años 40." Arizona
Journal of Hispanic Cultural Studies 3 (1999): 51-72.

Barbieri, Marie E. "Pedagogy and Pornography: Confronting the Sexually Explicit in
Spanish Cinema." Cine-Lit III: Essays on Hispanic Film and Fiction. Eds. George
Cabello-Castellet, Jaume Martí-Olivella, and Guy H. Wood. Corvallis, OR: Oregon
State University, 1998. 41-47.

Bartholomew, Gail. "The Development of Carlos Saura." Journal of the University Film
and Video Association 35:3 (1983): 15-33.

Beceyro, Raúl. Sobre Elisa vida mía de Carlos Saura. Rennes: Centre d'études
hispaniques et hispano-américaines, Université de Rennes, 1983.

Bentley, Bernard P.E. "The Credit Sequence of La mitad del cielo (1986)." Forum for
Modern Language Studies 31:3 (1995): 259-73.

Berthier, Nancy. De la guerre à l'écran: Ay Carmela, de Carlos Saura. Toulouse: Presses
Universitaires du Mirail, 1999.

Besas, Peter. Behind the Spanish Lens: Spanish Cinema under Fascism and Democracy.
Denver: Arden, 1985.

---. "Spain." Variety International Film Guide, 1990. Ed. Peter Cowie. Hollywood:
Samuel French, 1989. 325-36.

Borau, José Luis. "Without Weapons." Quarterly Review of Film Studies 8:2
(1983): 85-90.

---. "A Woman without a Piano, A Book without a Mark." Quarterly Review of Film and
Video 13:4 (1991): 9-16.

Buckley, Christina A. "Silence, Dance, and Disease as Spaces of Agency in the Spanish Film Entre Rojas." Romance Languages Annual 10:2 (1998): 473-76.

Buñuel, Luis. My Last Sigh. Trans. Abigail Israel. New York: Vintage, 1984.

Butler, Kristine J. "Mass-Produced Realities: A Reading of Pedro Almodóvar's Kika."
Tropos 21 (Spring 1995): 59-71.

C
Cabello-Castellet, George, Jaume Martí-Olivella, and Guy H. Wood, eds. Cine-Lit:
Essays on Peninsular Film and Fiction. Portland: Portland State University Press, 1992.

---, eds. Cine-Lit II: Essays on Hispanic Film and Fiction. Portland: Portland State
University Press, 1995.

---, eds. Cine-Lit III: Essays on Hispanic Film and Fiction. Corvallis, OR: Oregon State
University, 1998.

Cabello-Castellet, George, and Jaume Martí-Olivella, eds. Cine-Lit 2000: Essays on
Hispanic Film and Fiction. Corvallis, OR: Oregon State University, 2000.

Caparrós-Lera, J.M. "Spanish Cinema in the 1930s." New Orleans Review 14:1 (1987): 21-
24.

Caparrós-Lera, J.M., and Rafael de España. The Spanish Cinema: A Historical Approach.
Madrid: Film Historia, 1987.

Cobos, Juan. "Spanish Heroism." Films and Filming, November 1960, 9, 41.

Collins, Jacky. "Representation of Alternative Sexualities in Contemporary Spanish
Writing and Film." Contemporary Spanish Cultural Studies. Eds. Barry Jordan and
Rikki Morgan-Tamosunas. London: Arnold, 2000. 214-220.

Colmeiro, José. "El espectáculo tras el espejo de Gades/Saura." Siglo XX / 20th Century
13:2 (1995): 161-75.

Colmeiro, José, Christina Duplóa, Patricia Greene, and Juana Sabadell, eds. Spain Today:
Essays on Literature, Culture, Society. Hanover: Dartmouth College, Department of
Spanish and Portuguese, 1995.

Curry, Richard K. "Clarifying the Enigma: 'Reading' Victor Erice's El espíritu de la
colmena." Bulletin of Hispanic Studies 73:3 (1996): 269-75.

D
de España, Rafael, ed. Directory of Spanish and Portuguese Film-Makers and Films.
Westport: Greenwood, 1994.

de la Colina, José, and Tomás Pérez Turrent. Objects of Desire : Conversations with Luis
Buñuel. Ed. and trans. Paul Lenti. New York: Morsilio, 1992.

Deleyto, Celestino. "Postmodernism and Parody in Pedro Almodóvar's Mujeres al Borde
de un Ataque de Nervios." Forum for Modern Language Studies 31:1 (1995): 49-63.

De Stefano, George. "Post-Franco Frankness." Film Comment 22:3 (1986): 58-60.

Deveny, Thomas G. Cain On Screen: Contemporary Spanish Cinema. London:
Scarecrow, 1993.

---. "Living Underground: The Mole in Contemporary Spanish Cinema." Romance
Languages Annual 2 (1990): 391-94.

---. "Specular Images in Contemporary Spanish Cinema." Cine-Lit III: Essays on
Hispanic Film and Fiction. Eds. George Cabello-Castellet, Jaume Martí-Olivella, and
Guy H. Wood. Corvallis, OR: Oregon State University, 1998. 68-76.

---. Contemporary Spanish Film from Fiction. Lanham, MD: Scarecrow, 1999.

Dieckmann, Katherine. "Obscure Objects of Desire: The Films of Pedro Almodóvar."
Aperture 121 (Fall 1990): 74-77.

D'Lugo, Marvin. "Almodóvar's City of Desire." Quarterly Review of Film and Video 13:4
(1991): 47-66.

---. "Bigas Luna's Jamón, jamón: Remaking the National Cinema in Spain." Spain Today:
Essays on Literature, Culture, Society. Eds. Colmeiro, José, et al. Hanover: Dartmouth
College, Department of Spanish and Portuguese, 1995. 67-82.

---. "Carlos Saura: Constructive Imagination in Post-Franco Cinema. " Quarterly Review
of Film Studies 8:2 (1983): 34-47.

---. "Catalan Cinema: Historical Experience and Cinematic Practice." Quarterly Review
of Film and Video 13:1-3 (1991): 131-47.

---. The Films of Carlos Saura: The Practice of Seeing. Princeton: Princeton University
Press, 1991.

---. "Historical Reflexicity: Saura's Anti-Carmen." Wide Angle 9:3 (1986): 53-61.

---. "The Politics of Memory: Saura and the Civil War on Screen." The Spanish Civil War
and the Visual Arts. Ed. Kathleen Vernon. Ithaca: Center for International Studies,
Cornell University, 1990. 46-61.
---. "Authorship and the Concept of National Cinema in Spain." The Construction of
Authorship: Textual Appropriation in Law and Literature. Eds. Martha Woodmansee
and Peter Jaszi. Durham, NC: Duke University Press, 1994. 327-42.

Donapetry, María. La Otra Mirada: La Mujer y el Cine en la Cultura Española. New
Orleans, LA: University Press of the South, 1998.

Durgnat, Raymond. Luis Buñuel. Los Angeles: University of California Press, 1967.

E
Edwards, Gwynne. The Discreet Art of Luis Buñuel: A Rereading of His Films. Boston:
Marion Boyars, 1982.

---. Indecent Exposures: Buñuel, Saura, Erice & Almodóvar. London; New York:
M. Boyars, 1995.

---. "Saura's Bodas de Sangre: Play into Film." Hispanic Studies in Honour of Geoffrey
Ribbans. Eds. Ann L. Mackenzie and Dorothy S. Severin. Liverpool: Liverpool
University Press, 1992. 275-82.

Ehrlich, Linda C. "Interior Gardens: Victor Erice's Dream of Light and the Bodegón
Tradition." Cinema Journal 34:2 (1995): 22-36.

Eidsvik, Charles. "Dark Laughter: Buñuel's Tristana (1970)." Modern European
Filmmakers and the Art of Adaptation. Eds. Andrew Horton and Joan Magretta. New
York: Frederick Ungar, 1981. 173-87.

Epps, Brad. "Figuring Hysteria: Disorder and Desire in Three Films of Pedro
Almodóvar." Post-Franco, Postmodern: The Films of Pedro Almodóvar. Eds.
Kathleen M. Vernon and Barbara Morris. London: Greenwood, 1995. 99-124.

Evans, Peter Williams. The Films of Luis Buñuel: Subjectivity and Desire. Oxford:
Clarendon, 1995.

---. Women on the Verge of a Nervous Breakdown. London: British Film Institute, 1996.

---. Spanish Cinema: The Auteurist Tradition. Oxford; New York: Oxford University
Press, 1999.

---. "Culture and Cinema, 1976-1996." The Cambridge Companion to Modern Spanish
Culture. Ed. David T. Gies. Cambridge: Cambridge University Press, 1999. 267-77.

---. "Back to the Future: Cinema and Democracy." Spanish Cultural Studies: An
Introduction: The Struggle for Modernity. Eds. Helen Graham and Jo Labanyi. New
York: Oxford University Press, 1995. 326-31.

---. "Cinema, Memory, and the Unconscious." Spanish Cultural Studies: An
Introduction: The Struggle for Modernity. Eds. Helen Graham and Jo Labanyi. New
York: Oxford University Press, 1995. 304-10.

---. "Cifesa: Cinema and Authoritarian Aesthetics." Spanish Cultural Studies: An
Introduction: The Struggle for Modernity. Eds. Helen Graham and Jo Labanyi. New
York: Oxford University Press, 1995. 215-22.

F
Fiddian, Robin W. "The Role and Representation of Women in Two Films by José Luis
Borau." Essays on Hispanic Themes. Eds. Jennifer Lowe and Phillip Swanson.
Edinburgh: Deparment of Hispanic Studies, University of Edinburgh, 1989.

Fiddian, Robin W., and Peter W. Evans. Challenges to Authority: Fiction and Film in
Contemporary Spain. London: Tamesis, 1988.

Fuentes, Victor. "Almodóvar's Postmodern Cinema: A Work in Progress…"
Post-Franco, Postmodern: The Films of Pedro Almodóvar. Eds. Kathleen M. Vernon
and Barbara Morris. London: Greenwood, 1995. 155-70.

G
Gámez Fuentes, María José. "Cuerpo represor/cuerpo reprimido: La madre (patria) en
Furtivos de J.L. Borau." Congreso de Postgraduados en Estudios Hispánicos / 4th Hispanic
Studies Postgraduate Conference. Eds. Isidoro Pisonero del Amo et al. London:
Consejería de Educación y Ciencia, 1996. 61-67.

García, Carlos Javier. "Duplicación interior en La ley del deseo y Carmen." Cine-Lit:
Essays on Peninsular Film and Fiction. Eds. George Cabello-Castellet et al. Corvallis,
OR: Oregon State University, 1992. 219-26

Garland, David. "A Ms-Take in the making? Transsexualism Post-Franco, Post-
Modern, Post Haste." Quarterly Review of Film and Video 13:4 (1991): 95-102.

Gómez, María Asunción. Del Escenario a la Pantalla: La Adaptación Cinematográfica del
Teatro Español. Chapel Hill: University of North Carolina at Chapel Hill,
Department of Romance Languages, 2000.

González-Requena, Jesús. "Vida en Sombras: The Recusado's Shadow in Spanish
Postwar Cinema." Modes of Representation in Spanish Cinema. Eds. Jenaro Talens
and Santos Zunzunegui. Minneapolis: University of Minnesota Press, 1998. 83-103.

Greiner, Hélène. El espíritu de la colmena de Víctor Erice. Paris: Editions Hispaniques,
1989.

Gubern, Román. "The Civil War: Inquest or Exorcism?" Quarterly Review of Film
and Video 13:4 (1991): 103-12.

---. "Historia de un noviazgo: Los intelectuales y el cine." El Universo Creador del 27:
Literatura, Pintura, Música y Cine. Eds. Cristóbal García Cuevas and Enrique Baena.
Málaga: Congreso de Literatura Española Contemporánea,1997. 39-51.

---. "Survey of Spanish Film: Trends, Problems, and Genres in the Post-Franco Cinema,
1975-1981." Quarterly Review of Film Studies 8:2 (1983): 15-23.

---. Cine español en el exilio, 1936-1939. Barcelona: Lumen, 1976.

---. Carlos Saura. Huelva: Festival de Cine Iberoamericano, 1979.

---. Proyector de Luna: La Generación del 27 y el Cine. Barcelona: Editorial Anagrama,
1999.

Gubern, Román, et al., eds. Historia del cine español. Madrid: Cátedra, 1995.

H
Hanson, Ellis. "Technology, Paranoia and the Queer Voice." Screen 34:2 (1993): 137-61.

Hart, Patricia. "Can a Feminist Sit through Kika? Rape, Recovery, and Submission
Fantasies in the Film of Almodóvar." Anuario de Cine y Literatura en Español 3 (1997):
73-88.

Heredia, Aida. "La Carmen de Saura dentro del género 'romance': Tradición y
ruptura." Explicación de Textos Literarios 20:1 (1991-92): 79-87.

Heredero, Carlos F. José Luis Borau: Teoría y Práctica de un Cineasta. Madrid: Instituto de
la Cinematografía y las Artes Audiovisuales, 1990.

---. Cuentos de Magia y Conocimiento: El Cine de Manuel Gutiérrez Aragón. Madrid: Alta
Films, 1998.

Hidalgo, Manuel. Carlos Saura. Madrid: Ediciones JC, 1981.

Higginbotham, Virginia. Luis Buñuel. Boston: Twayne, 1979.

---. Spanish Film under Franco. Austin: University of Texas Press, 1988.

---. The Spirit of the Beehive. Trowbridge, UK: Flick Books, 1998.

Hill, Deborah J. "From Dictatorship to Democracy: Carlos Saura's Carmen." Selected
Papers from Tenth Annual Florida State University Conference on Literature and Film. Ed.
Fowler Douglas. Tallahassee: Florida State University Press, 1986. 92-103.

Holguín, Antonio. Pedro Almodóvar. Madrid: Cátedra, 1994.

Hopewell, John. "Art and a Lack of Money: The Crises of the Spanish Film Industry,
1977-1990." Quarterly Review of Film and Video 13:4 (1991): 113-22.

---. Out of the Past: Spanish Cinema after Franco. London: British Film Institute, 1986.

---. "Spotlight Spain." Variety, 23-29 September 1996: 58, 85-124.

J
Jackson, Earl, Jr. "Coming in Handy: The J/O Spectacle and the Gay Male Subject in
Almodóvar." Solitary Pleasures: The Historical, Literary, and Artistic Discourses of
Autoeroticism. Eds. Bennett, Paula, and Kathleen M. Vernon. New York: Routledge.
251-75.

Jessup, Florence Redding. "Women on the Verge of a Nervous Breakdown: Sexism or
Emancipation from Machismo?" Look Who's Laughing: Gender and Comedy. Ed. Gail
Finney. Langhorne, PA: Gordon and Breach, 1994. 299-314.

Jordan, Barry. "The Spanish Film Industry in the 1980s and 1990s." Contemporary
Spanish Cultural Studies. Eds. Barry Jordan and Rikki Morgan-Tamosunas. London:
Arnold, 2000. 179-92.

---. "Genre Cinema in Spain in the 1970's: The Case of Comedy." Revista Canadiense de
Estudios Hispánicos 20:1 (1995): 127-141.

Jordan, Barry, and Rikki Morgan-Tamosunas. Contemporary Spanish Cinema.
Manchester: Manchester University Press, 1998

---, eds. Contemporary Spanish Cultural Studies. London: Arnold, 2000.

K
Kercher, Dona. "Cervantes on Film: Exemplary Tales and La noche más Hermosa."
Cine-Lit: Essays on Peninsular Film and Fiction. Eds. George Cabello-Castellet, Jaume
Martí-Olivella, and Guy H. Wood. Corvallis, OR: Oregon State University, 1992. 25-
30.

---. "The Marketing of Cervantine Magic for a New Global Image of Spain." Refiguring
Spain: Cinema/Media/Representation. Ed. Marsha Kinder. Durham, NC: Duke
University Press, 1997. 99-132.

---. "The 'Magical' Episodes of the Quijote on Film: Gutiérrez Aragón's Maravillas." Cine-Lit II: Essays on Hispanic Film and Fiction. Eds. George Cabello-Castellet, Jaume Martí-Olivella, and Guy H. Wood. Corvallis, OR: Oregon State University, 1995. 86-95.

Keown, Dominic. "Ethics and Aesthetics in Almodóvar's Matador." Hispanic Studies in
Honour of Goeffrey Ribbans. Eds. Ann L. Mackenzie and Dorothy S. Severin.
Liverpool: University Press, 1992. 345-53.

Kinder, Marsha, ed. Refiguring Spain. Durham: Duke University Press, 1997.

---. Blood Cinema: The Reconstruction of National Identity in Spain. Berkeley
and Los Angeles: University of California Press, 1993.

---. "Carlos Saura: The Political Development of Individual Consciousness." Film
Quarterly 32:2 (1979): 14-25.

---. "The Children of Franco in the New Spanish Cinema." Quarterly Review of Film
Studies 8:2 (1983): 57-76.

---. "The Disastrous Escape." Contemporary Literary Scene, II. Ed. Frank N. Magill.
Englewood Cliffs: Salem, 1976.

---. "El Nido." Film Quarterly 35:1 (1981): 34-41.

---. "High Heels." Film Quarterly 45:3 (1992): 39-44.

---. "Jamón, jamón." Film Quarterly 47:1 (1993): 30-35.

---. "José Luis Borau On the Line of the National/International Interface in the Post-
Franco Cinema." Film Quarterly 40 (winter 1986-87): 35-48.

---. "From Matricide to Mother Love in Almodóvar's High Heels." Post-Franco,
Postmodern: The Films of Pedro Almodóvar. Eds. Kathleen M. Vernon and Barbara
Morris. London: Greenwood, 1995. 145-54.

---. "Pleasure and the New Spanish Mentality: A Conversation with Pedro
Almodóvar." Film Quarterly 41:1 (1987): 34-41.

---. "Remapping the Post-Franco Cinema: An Overview of the Terrain." Quarterly
Review of Film and Video 13:4 (1991): 1-7.

---. "Review of John Hopewell's Out of the Past: Spanish Cinema after Franco." Film Quarterly 41 (spring 1988): 49-51.

---. Spanish Cinema: The Politics of Family and Gender. Los Angeles: Spanish Ministry of
Culture and the USC School of Cinema-Television, 1989.

---. "The Spanish Oedipal Narrative from Raza to Bilbao." Quarterly Review of Film and
Video 13:4 (1991): 67-94.

---. "The Tyranny of Convention on The Phantom of Liberty." Film Quarterly 29 (summer
1975): 20-25.

---, ed. Special issue, "Remapping the Post-Franco Cinema." Quarterly Review of Film
and Video 13:4 (1991).

Kovács, Katherine S. "Berlanga Life Size: An Interview with Luis García Berlanga."
Quarterly Review of Film Studies (spring 1983): 7-13.

---. "Berlanga Retrospective at U.S.C." Spectator 3:1 (1983): 1-9.

---. "Demarginalizing Spanish Film." Quarterly Review of Film and Video 11:4 (1990):
73-82.

---. "Half of Heaven." Film Quarterly 41:3 (1988): 34-37.

---. "Introduction: Background on the New Spanish Cinema." Quarterly Review of Film
Studies 8:2 (1983): 1-6.

---. "José Luis Borau Retrospective. " Spectator 3:2 (1984): 1-2.

---. "The Last Word." Quarterly Review of Film Studies 8:2 (1983): 94-98.

---. "Loss and Recuperation in The Garden of Delights." Cine-Tracts 4:2-3, 45-54.

---. "Parody as 'Countersong' in Saura and Godard." Quarterly Review of Film
and Video 12:1-2 (1990): 105-24.

---. "Pierre Louÿs and Luis Buñuel: Two Visions of Obscure Objects." Cinema Journal
19:1 (1979): 86-98. Reprinted in Cinema Examined. Eds. Richard Dyer MacCann and
Jack C. Ellis. New York: E.P. Dutton, 1982. 282-333.

---. "The Plain in Spain: Geography and National Identity in Spanish Cinema."
Quarterly Review of Film and Video 13:4 (1991): 17-46.

---, ed. Special issue, "The New Spanish Cinema." Quarterly Review of Film Studies 8:2
(1983).

L
Labanyi, Jo. "Race, Gender and Disavowal in Spanish Cinema of the Early Franco
Period: The Missionary Film and the Folkloric Musical." Screen 38:3 (1997): 215-31.

---. "History and Hauntology; or, What Does One Do with the Ghosts of the
Past? Reflections on Spanish Film and Fiction of the Post-Franco Period.
Disremembering the Dictatorship: The Politics of Memory in the Spanish Transition to
Democracy. Ed. Joan Ramon Resina. Amsterdam: Ropodi, 2000. 65-82.

Lev, Leora. "Tauromachy as a Spectacle of Gender Revision in Matador." Post-Franco,
Postmodern: The Films of Pedro Almodóvar. Eds. Kathleen M. Vernon and Barbara
Morris. London: Greenwood, 1995. 73-86.

Levy, Shawn. "King of Spain." (Filmmaker Pedro Almodóvar) American Film 17:1
(1992): 38-45.

Lewis, Carolyn. "Furtivos." Monthly Film Bulletin 43:507 (1976): 80-81.

López, Silvia L., and Jenaro Talens, and Darío Villanueva, eds. Critical Practices in Post-
Franco Spain. Minneapolis: University of Minnesota Press, 1994.

M
MacGregor, Eduardo. "Transterrados en el desierto." Cuadernos Hispanoamericanos 603
(2000): 37-41.

Mahieu, José A. "Víctor Erice. " Cuadernos Hispanoamericanos 411 (1984): 85-96.

Mandrell, James. "Sense and Sensibility, or Latent Homosexuality and Labyrinth of
Passions." In Vernon, Kathleen M., and Barbara Morris, eds., 41-58.

Martí-Olivella, Jaume. "Towards a New Transcultural Dialogue in Spanish Film." In
Colmeiro, José, et al., eds., 47-66.

---. "Regendering Spain's Political Bodies: Nationality and Gender in the Films of Pilar
Miró and Arantxa Lazcano." Refiguring Spain: Cinema/Media/Representation. Ed.
Marsha Kinder. Durham, NC: Duke University Press, 1997. 215-38.

Martin, Annabel. "¡Bienvenido, Mister Marshall! La Identidad Nacional como
Artificio." Cincinnati Romance Review 15 (1996): 73-80.

Martin-Márquez, Susan. Feminist Discourse and Spanish Cinema: Sight Unseen. Oxford;
New York: Oxford University Press, 1999.

---. "Ecofeminism, Strategic Essentialism, and the Abject in La mitad del cielo." Cine-Lit
III: Essays on Hispanic Film and Fiction. Eds. George Cabello-Castellet, Jaume Martí-
Olivella, and Guy H. Wood. Corvallis, OR: Oregon State University, 1998. 7-13.

Martínez de Mingo, Luis. José Luis Borau. Madrid: Fundamentos, 1997.

Martins, Laura. "Luis Buñuel: Lo que vemos, lo que nos mira." Nueva Literatura
Hispánica 3 (1999): 189-99.

Maxwell, Richard. The Spectacle of Democracy: Spanish Television, Nationalism, and Political
Transition. Minneapolis: University of Minnesota Press, 1995.

Medina de la Viña, Elena. Cine Negro y Policíaco Español de los Años Cincuenta.
Barcelona: Editorial Laertes, 2000.

Membrez, Nancy J. "Apostillas a El espíritu de la colmena, de Víctor Erice." Cine-Lit III:
Essays on Hispanic Film and Fiction. Eds. George Cabello-Castellet, Jaume Martí-
Olivella, and Guy H. Wood. Corvallis, OR: Oregon State University, 1998. 113-30.

Miró, Pilar. "Ten Years of Spanish Cinema." Literature, the Arts, and Democracy: Spain in
the Eighties. Ed. Samuel Amell, trans. Alma Amell. Madison: Fairleigh Dickinson
University Press, 1990. 38-46.

Molina-Foix, Vincente. New Cinema in Spain. London: British Film Institute, 1977.

Molina-Gavilán, Yolanda, and Thomas Di-Salvo. "Policing Spanish / European
Borders: Xenophobia and Racism in Contemporary Spanish Cinema." Ciberletras
5 Aug. 2001.

Monegal, Antonio. "Images of War: Hunting the Metaphor." Modes of Representation in
Spanish Cinema. Eds. Jenaro Talens and Santos Zunzunegui. Minneapolis:
University of Minnesota Press, 1998. 203-15.

Monteath, Peter. The Spanish Civil War in Literature, Film, and Art: An International
Bibliography of Secondary Literature. London: Greenwood, 1994.

Mora, Carl J. "The Odyssey of Spanish Cinema." New Orleans Review 14:1 (1987): 7-20.

Moreiras Menor, Cristina. "Spectacle, Trauma and Violence in Contemporary Spain."
Contemporary Spanish Cultural Studies. Eds. Barry Jordan and Rikki Morgan-
Tamosunas. London: Arnold, 2000. 134-42.

Morgan, Rikki, and Paul Julian Smith. "Victor Erice: Painting the Sun." Sight and Sound
3:4 (1993): 26-29.

Morris, Barbara. "Almodóvar's Laws of Subjectivity and Desire." In Vernon, Kathleen
M., and Barbara Morris, eds., 87-98.

Morris, Cyril Brian. This Loving Darkness: The Cinema and Spanish Writers (1920-1936).
New York: Oxford University Press, 1980.

Mortimer, Roger. "Buñuel, Sáenz de Heredia, and Filmófono." Sight and Sound 44
(summer 1975): 180-82.

Mosier, John, ed. "The Spanish Cinema: Introduction." New Orleans Review 14:1 (1987):
5- 30.

N
Nandorfy, Martha J. "Tie me up! Tie me down!: Subverting the Glazed Gaze of American
Melodrama and Film Theory." Cineaction 31 (1993): 50-61.

O
Oms, Marcel. Carlos Saura. Paris: Edilig, 1981.

P
Packer, Peter. "I.F.G. Dossier: Spanish Cinema Now." Variety International Film Guide
1990. Ed. Peter Cowie. Hollywood: Samuel French, 1989. 29-65.

Pavlovic, Tatjana. "¡Bienvenido, Mr. Marshall! and the Renewal of Spanish Cinema."
Cine-Lit II: Essays on Hispanic Film and Fiction. Eds. George Cabello-Castellet, Jaume
Martí-Olivella, and Guy H. Wood. Portland: Portland State University Press, 1995.
169-74.

Payán, Miguel. Manuel Gutiérrez Aragón. Madrid: Ediciones JC, 1985.

Peña, Richard, ed. Special Issue, "Spanish and Portuguese Cinema." Journal of the
University of Film and Video Association 35:3 (1983).

Pérez Gómez, Ángel A. "Cine español en auge." Razón y Fe: Revista Hispanoamericana de
Cultura 209 (1984): 378-390.

Pérez-Vitoria, Blandine. Elisa, vida mía de Carlos Saura: découpage et étude filmique. Paris:
Editions Hispaniques, 1983.

Perkins, Ted. "Spain's Villaronga rebounds with Moonchild." The Hollywood Reporter 11
(May 1989): 8.

Perriam, Chris. "Jorge Sanz: El Galán Sumiso. Problematising Masculinities in
Mainstream Spanish Cinema." Forum for Modern Language Studies 37:1 (2001): 26-38.

Perriam, Chris, and Santiago Four Hernández. "Beyond Almodóvar: 'Homosexuality'
in Spanish Cinema of the 1990's." Territories of Desire in Queer Culture: Refiguring
Contemporary Boundaries. Eds. David Alderson and Linda R. Anderson. Manchester,
UK: Manchester University Press; New York: St. Martin's Press, 2000. 96-111.

Pillado-Miller, Margarita. " 'La República va al doctor': Síntomas de la Guerra Civil en
tres películas de Carlos Saura." Arizona Journal of Hispanic Cultural Studies 1 (1997):
129-140.

Prout, Ryan. "Sects and Secularity: Another Cinema, Another Spain." Contemporary
Spanish Cultural Studies. Eds. Barry Jordan and Rikki Morgan-Tamosunas. London:
Arnold, 2000. 123-33.

R
Richardson, Nathan. " 'Paleto Cinema' and the Triumph of Consumer Culture in Spain:
The case of Pedro Lazaga's La ciudad no es para mí." Arizona Journal of Hispanic
Cultural Studies 4 (2000): 61-76.

Riley, E.C. "The Story of Ana in El espíritu de la colmena." Bulletin of Hispanic Studies
61:4 (1984): 491-97.

Rix, Rob, and Roberto Rodríguez-Saona. Spanish Cinema: Calling the Shots. Leeds:
Trinity and All Saints, University of Leeds, 1999.

Rolph, Wendy. "Afterword: From Rough Trade to Free Trade: Toward a Contextual
Analysis of Audience Response to the Films of Pedro Almodóvar." In Vernon,
Kathleen M., and Barbara Morris, eds., 171-78.

---. "Lorca/Gades/Saura: Modes of Adaptation in Bodas de Sangre." Anales de la
Literatura Española Contemporánea 11: 1-2 (1986): 193-204.

Ros, Xon de. "Victor Erice's 'voluntad de estilo' in El espíritu de la colmena." Forum for
Modern Language Studies 31:1 (1995): 74-83.

S
Sánchez Vidal, Agustín. Borau. Zaragoza: Caja de Ahorros de la Inmaculada, 1990.

---. "El espejo incierto de Luis Buñuel." Cuadernos Hispanoamericanos 603 (2000): 17-22.

Sandro, Paul. Diversions of Pleasure: Luis Buñuel and the Crises of Desire. Columbus:
Ohio State University Press, 1987.

Saz, Sara M. "Mujeres al borde de un ataque de nervios: Elementos Subversivos." Actas
Irvine '92, Asociación Internacional de Hispanistas. Ed. Juan Villegas. Irvine:
University of California, 1994. 149-57.

Schwartz, Ronald. The Great Spanish Films: 1950-1990. Metuchen, N.J., and London:
Scarecrow, 1991.

---. Spanish Film Directors, 1950-1985: 21 Profiles. Metuchen, N.J., and London:
Scarecrow, 1986.

Seguin, Jean-Claude. "Mujeres al borde de un ataque de nervios: Texture, forme et
couleur." Sociocriticism 10 : 1-2(19-20) (1994) : 153-65.

---. "Pedro Almodóvar: Dispositifs de posmodernité; Seminaire 1993-1994. Les Liens et
le vide: Recherches sur la création contemporaine. Ed. Roux-Louis. Saint Etienne:
Université de Saint Etienne, 1994. 123-44.

Smith, Paul Julian. Desire Unlimited: The Cinema of Pedro Almodóvar. New York: Verso,
1994.

---. García Lorca / Almodóvar: Gender, Nationality, and the Limits of the Visible. Cambridge: Cambridge University Press, 1995.

---. "Kika: Vision Machine." Spain Today: Essays on Literature, Culture, Society. Eds.
Colmeiro, José et al. Hanover: Dartmouth College, Department of Spanish and
Portuguese, 1995. 83-92.

---. Laws of Desire: Questions of Homosexuality in Spanish Writing and Film, 1960-1990.
Oxford: Clarendon; New York: Oxford University Press, 1992.

---. "Pepi, Luci, Bom and Dark Habits: Lesbian Comedy, Lesbian Tragedy." In Vernon,
Kathleen M., and Barbara Morris, eds., 25-40.

Soufas, C. Christopher. "Interpretation in/of Bodas de Sangre." García Lorca Review 11:1
(1983): 53-74.

Stone, Rob. Spanish Cinema. Harlow: Longman, 2001.

Suleiman, Susan. "Freedom and Necessity: Narrative Structure in The Phantom of
Liberty." Quarterly Review of Film Studies 3:3 (1978): 277-95.

T
Talens, Jenaro, and Santos Zunzunegui, eds. Modes of Representation in Spanish Cinema.
Minneapolis: University of Minnesota Press, 1998.

Tate, S. "Carlos Saura, Spain and Mama Turns 100." Cinéma P, 37 (April 1982): 125-27.

Terrasa, Jacques. "La Figure absente: Le Jeu des ombres dans L'Esprit de la ruche, film de
Víctor Erice. " Cahiers d'Etudes Romanes 17 (1993): 203-15.

Torres, Augusto. Conversaciones con Manuel Gutiérrez Aragón. Madrid: Fundamentos,
1992.

Triana Toribio, María Nuria. Subculture and Popular Culture in the Films of Pedro
Almodóvar. Newcastle upon Tyne: University of Newcastle upon Tyne, 1994.

---. Hollywood Melodrama in the Films of Pedro Almodóvar. Salford: University of Salford,
1995.

V
Vaidovits, Guillermo. Laberinto de Pasiones: El Cine de Pedro Almodóvar. Jalisco, México:
Universidad de Guadalajara, 1998; Madrid: Dirección General de Relaciones
Culturales y Científicas del Ministerio de Asuntos Exteriores de España, 1998.

Valleau, Majorie A. The Spanish Civil War in American and European Films. Ann Arbor:
UMI Research Press, 1982.

Varderi, Alejandro. Severo Sarduy y Pedro Almodóvar: Del Barroco al Kitsch en la Narrativa
y el Cine Postmodernos. Madrid: Pliegos, 1996.

Vargas Llosa, Mario. "Furtivos." Quarterly Review of Film Studies 8:2 (1983).

Vernon, Kathleen M. "Melodrama Against Itself: Pedro Almodóvar's What have I done
to deserve this?" Film Quarterly 46:3 (1993): 28-40.

---. "Re-viewing the Spanish Civil War: Franco's Film Raza." Film and History 16:2
(1986): 26-34.

---. "The Third Wave." Quarterly Review of Film and Video 13:4 (1991): 123-27.

---. "The Language of Memory: The Spanish Civil War in the Films of Carlos Saura."
Rewriting the Good Night: Critical Essays on the Literature of the Spanish Civil War. Eds.
Frieda Brown et al. East Lansing: Michigan State University Press, 1989. 125-142.

---. "Culture and Cinema to 1975." The Cambridge Companion to Modern Spanish
Culture. Ed. David T. Gies. Cambridge: Cambridge University Press, 1999. 248-66.

Vernon, Kathleen M., and Barbara Morris. "Introduction: Pedro Almodóvar,
Postmodern Auteur." In Vernon, Kathleen M., and Barbara Morris, eds., 1-9.

Vernon, Kathleen M., and Barbara Morris, eds. Post-Franco, Postmodern: The Films of
Pedro Almodóvar. Westport, Conn.: Greenwood, 1995.

Vidal, Nuria. The Films of Pedro Almodóvar. Madrid: Ministerio de Cultura, 1988.

Vilarós, Teresa M. "Mother Country, Fatherland: The Uncanny Spain of Manuel
Gutiérrez Aragón." Modes of Representation in Spanish Cinema. Eds. Jenaro Talens
and Santos Zunzunegui. Minneapolis: University of Minnesota Press, 1998. 188-202.

W
Walker, Lesley Heins. "What Did I Do to Deserve This? The 'Mother' in the Films of
Pedro Almodóvar." Modes of Representation in Spanish Cinema. Eds. Jenaro Talens
and Santos Zunzunegui. Minneapolis: University of Minnesota Press, 1998. 273-88.

Williams, Linda. Figures of Desire: A Theory and Analysis of Surrealist Film. London:
University of Illinois Press, 1981.

Wood, Michael. "The Corruption of Accidents: Buñuel's That Obscure Object of Desire
(1977)." Modern European Filmmakers and the Art of Adaptation. Eds. Andrew Horton
and Joan Magretta. New York: Frederick Ungar, 1981. 329-40.

Y
Yarza, Alejandro. Un Caníbal en Madrid: La Sensibilidad Camp y el Reciclaje de la Historia
en el Cine de Pedro Almodóvar. Madrid: Ediciones Libertarias, 1999.

Z
Zunzunegui, Santos. "Between History and Dream: Victor Erice's El espíritu de la
colmena." Modes of Representation in Spanish Cinema. Eds. Jenaro Talens and Santos
Zunzunegui. Minneapolis: University of Minnesota Press, 1998. 128-54.